Week 11 – Lighting Aesthetics

Lighting Purposes and Functions

Light serves a dual purpose: shaping the outer space and evoking inner emotions. Achieving this depends on skillfully controlling shadows.


Nature of Shadows
  • Shading: Variation of reflected light on a surface facing the light source.
  • Shadows: Occluded regions from the light source, comprising attached and cast shadows.
    • Attached Shadow: Fixed to the object, providing form and texture.
    • Cast Shadow: Independent, offering visual variety and interest. It conveys the object’s location, time of day, season, and mood.
Reference: How to control falloff
image from Pixabay
  • Falloff: Contrast between light and shadow sides, with a relative rate of change.
    • Slow Falloff: Soft lighting with low brightness contrast, creating a gradual transition.
    • Fast Falloff: Hard lighting with high brightness contrast, producing dense and dark attached shadows.

Outer Orientation Functions

image from Pixabay
  • Spatial Orientation: Reveals the basic shape and location of objects.
  • Tactile Orientation: Uses fast-falloff lighting to emphasize surface texture, often from the side.
  • Time Orientation: Reflects brightness based on the background (light for daylight, dark for nighttime), and cast shadow length and angle indicating time and season.

Inner Orientation Functions

Establishing Mood and Atmosphere:

What is High Key Lighting? [Complete Guide] – Video Collective (freelancevideocollective.com)
  • Low-key Lighting (down energy): Low overall light level with fast falloff, selectively illuminating specific areas.
  • High-key Lighting (up energy): Abundance of light with slow falloff, nonspecific distribution.
    • Above-eye-level Key Lighting: Places the principal light source above eye level for usual shadows.
    • Below-eye-level Key Lighting: Creates a disorienting and frightening feel.

  • Predictive Lighting: Anticipates and reveals upcoming events, often working with other sensory cues.
  • Lights as Dramatic Agents: By revealing the light source, intensifies the scene.

Standard Lighting Technique
Reference: 3 Point lighting
  • Key Light: The principal and strongest light revealing the object’s shape.
  • Fill Light: Positioned opposite the camera from the key light, controlling falloff.
  • Back Light: Located at the back of the subject, separating the figure from the background and providing sparkle.

(Additional: Side Light, Kicker, Background or Set Light)


Major Lighting Types
Chiaroscuro Lighting: How to Use High Contrast Lighting (with Examples) (backstage.com)
  • Chiaroscuro Lighting: Emphasizes contrast between light and shadow areas, contributing to various aesthetic functions.
    • Rembrandt Lighting (soft): Low-key, carefully illuminates selected areas with a dark yet illuminated background.
    • Cameo Lighting (strong): Fast falloff, dense shadows, and minimal spill, focusing on illuminated figures against a very dark background.
Film ‘Her’ still(Her (2013) stills and screengrabs | SHOT.CAFE)
  • Flat Lighting: Highly diffused and slow-falloff lighting creating a high-key environment for energy and cleanliness, yet implying mechanization and depersonalization.
Film ‘Skyfall’ still(Skyfall (2012) stills and screengrabs | SHOT.CAFE)
  • Silhouette Lighting: A hybrid of Chiaroscuro and Flat lighting, featuring unlit figures against a bright background. Emphasizes contour over volume and texture with high contrast light/dark.